This is my Photoshoot storyboard. This moodboard represents the shapes, poses and styling that will take place in my Photoshoot. The makeup will be minimal, but to represent the geometric aspect, strong winged eyeliner will accommodate the eyelids. The hair will pulled back from a centre parting, to a low ponytail, with hair wrapped around to cover the bobble. The shoot will take place in a studio with a white background to make the garment stand out.
EDITORIAL INSPIRATION & PHOTOSHOOT STORYBOARD
This page is my inspiration for my editorial. I hope to make a magazine with my marketing report, press release and look book, in the form of an interview. This will prove difficult as I will need to ensure that I will include all of my marketing material within the interview. However, I am confident that the end result will be professional and will help me to further my skills. I will be using adobe indesign, teaching myself ways of making a magazine. I will use online videos and tutorials to help me do this. I will take inspiration from this page. I want a minimalistic approach with geometric aspects and designs in the magazine. Words such as 'Geometric', 'Minimal' and 'Shape' will be used in the magazine, to separate my images up as they have done on this page.
PRIMARY RESEARCH AND ARCHITECTURE
Primary
Research – to gather some primary images, I have used collected images from
several different places. Some being from a UCAS events in Manchester, where I
was inspired by existing students work. Another being from the John Lewis
building in Leeds and an Issy Miyake bag, the Expo Gate in Milan, a cinema and
architecture in Paris, and a wall hanging I found in IKEA. These image include
several aspects of geometry and minimalism. The design underneath, the collar
and chiffon sleeves are inspired by the existing garments, the chiffon would be
a checked pattern. Around the neck is the wall hanging from IKEA, shrunk down
in size and created using origami techniques in either Tyvek or white cotton.
The skirt is inspired by the Expo Gate and the image next to it from Paris.
The design on
top is inspired by the wall of John Lewis, and would be a black and white
stripe pattern, possibly appliqued on in a material such as felt. The top is a
cut out back in the shape of the Normandie cinema’s front design. The right
page is the Triennale Museum in Milan of sculptor’s work. The design on this
page is inspired by the sculptor’s vase with cut out pieces, with a curvaceous neckline,
the long skirt would reveal from underneath of the short dress. The other design is inspired by the black and
white seat, which would definitely be a statement piece for my customer to wear
to an award show. These stripes would be created either by creating my own
print or embroidery, as my market level is couture so it needs to be handmade
and well finished.
This page is
inspired by architecture, I have researched into this because of the geometric
aspect within my theme. Therefore, I have looked into modern architecture from
around the world that could inspire my designs. The design on the top left is
inspired by the louvre and the image in the right corner. The skirt would be
made out of strong and structured fabric such as neoprene. The top would be
printed and tie at the back as a halter neck. The design sketch at the bottom
is inspired by the bottom right image, which I have rotated and transformed
into a structured skirt. The V-neck bodysuit is inspired by the architecture
with the stand out rectangles, this would be reflected as they would stand out
off the body suit. To develop these designs further, I could work more into
them, as they are just sketches.
On the right
hand page, I have also been inspired by modern architecture, I have created two
sketches based on these. The left hand design, the shoulders are bold and stand
up, inspired by Sydney harbour. The top is a v-neck bodysuit with revealing
sides. The top half of the skirt is inspired by the structure, second down from
the left. It would be sewed with wire in to help it stand up, as would the
shoulder pieces. The bottom half of the skirt is inspired by the top right hand
picture, the skirt meets at a point at the front, with a cut out design on the
left revealing the leg. The design on the right, the big shoulder sleeves are
also inspired by Sydney harbour, but are sleeves that meet comfortably under
the arms. The dress is inspired by the triangular building in the bottom left,
this would be made by sewing black or white leather triangles onto white mesh
or skin coloured powernet, met with a subtle ruffle at the hem to keep on trend
for SS16, as my customer is very influential.
SKETCHBOOK DEVELOPMENT OF RESEARCH
The design on the left is a basic A line dress, inspired by the A line white jacket on the left page. the panel on the left is made out of pin tucked Tyvek, and the pocket would be pin tucked mesh, to create a see-through pocket. The design on the right is inspired by the shoulder piece on the left page and the origami inspired top on the right, the silhouette is a rounded hip shape, with folded white material, that is pin tucked on top. The sides of the dress have tucked pleats hanging away.
Experimentation page. I have gathered textile images from our college Pinterest board that can help inspire my designs that are related to my theme. On the left hand page is black leather, painted with white emulsion and sewn into with black machine stitching. I think this looks very effective yet minimal and I will use this in my designs and develop it further. I then used white mesh and painted with black and white paint, and peeled some away. On the right hand page I have recreated the pleated top, and pulled through white cord, using machine stitching. The belt has been inspired by the white leather with white silk pulled through, I then took these experimentation pieces and applied them to a manikin, transforming them into a top and belt.The illustration is a recreation of this manikin design, paired with a pleated black leather A-line skirt, the middle pleat being painted with white emulsion and stitched into and cracked. This page has helped me to use my experimentation with fabrics to build an outfit only using textural research, using a minimal colour palette.
I needed to be more inspired by fabric manipulation to create geometric and origami pieces, this mood board shows my favourite picks from my Internet research using blogs and Pinterest. My experimentation on this page is use of pin tucks in printed and plain cotton, this has created a very effective piece and structured lines. I have cut out pink leather and painted shrivelled Tyvek, joined them together on a manikin to create a brooch embellishment, onto a mini black leather dress, created using a mini manikin. On the left hand page, I have created a 3D design using pleated chiffon and cord as a belt. This helped to create a flow of ideas, and how simple techniques such as pinching a waist with a belt, can create a tailored effect.
The design on this page is inspired by the top
next to it, which has been manipulated into a stand out skirt. The poncho top,
is inspired by the image at the bottom, rippled paper. To develop this further,
I could add some embellishment to make a more Avant Garde piece. The designs on
the right are inspired by the pleated paper, that I have folded and manipulated
to create a garment, as shown on this page.
Sketchbook Research
To begin with, I gathered
research from magazines and the internet, including websites such as Pinterest,
and using Google image searches, to access individual websites and blogs, which
helps me find more research. On this page, I focused on my colour palette of
black and white. The images were found from a University prospectus, and helped
inspire some shapes and prints that I then drew around the images. I was particularly
inspired by the clean cut shapes, and the structured, cut out collar. Which
helped inspire my paper manipulation on the right hand page. I cut out black
card to create a 3D effect, which then inspired me to do the same with felt,
and sew wire into the back using a zig zag stitch on the sewing machine. The
image in the bottom right hand corner, is this experimentation on a mini
manikin, moving the wire to create a 3D effect.
The top half is inspired by the structural shapes at the top of the left hand page, and will be recreated using pin tucks in white cotton. The belt is the experimentation which will be found on the next pages. The A line skirt will be made out of two different materials, the one under the pleats being made out of a printed cotton. The curled tape is inspired by the one on this page, I would recreate this using wire and white tape. Underneath would be a simple pair of pleated and structured culottes. The design on the right hand page is inspired by the lamp shade in the picture, I would imagine this being made out of painted and cracked leather pieces, joined together on a bodysuit.
These
pages are a collection of imagery of Gareth Pugh's 2015 collections. I have
chosen this collection to be inspired by because it is minimalist in its colour
palette, but avant Garde in its designs, which are structured and bold. The
experimentation on the left hand page is use of heated Tyvek, which shrivels. I
did this because I wanted to experiment with paper-like material. The design
underneath is inspired by the images to the left of it, the large ruffled
skirts were statement pieces, and I decided to turn this into a dress, fixed
with a tight belt. The thigh high leggings are inspired by the boots.
For the design on top, I have used blended felt tip pen as the skin colour, which I found rather effective. The cross over, buttoned up bodysuit is inspired by the structured collar of Gareth Pugh's jacket design, the bodysuit is firmly tucked in under a pair of white culottes, inspired by the ones on the left hand side, these would be made out of metallic material and white scuba. The body piece, which my customer would remove after making an entrance, is made out of wired black plastic, which hangs off the hips and holds together at the front, inspired by the ones on the right hand page.
Experimentation
– I have painted red leather with holes in using white emulsion and attaching
it to white cotton before going into it by machine stitching black thread into
the holes for a geometric minimalist shape effect. I then created a design
using this experimentation, the front and back panel of the dress would be made
like this, the side panels would be sheer black mesh. Black rolled sleeves and
a printed striped turtleneck would accompany the dress.
. The right hand side of the page shows that I have researched into monochrome trends, a colour palette associated with minimalism. Bold accessories show power and dynamic views when wearing black and white for SS16. These designs are inspired by a range of sketchbook pages. The left design is inspired by Gareth Pugh’s 2015 collections. The jacket is inspired by his own, using silver beading for embroidery into white leather. The body piece is inspired by the top left image on the previous page, with pointed stripes, the body piece can be removed for comfort after my customer has walked the red carpet. Underneath is a metallic fitted skirt, inspired by the boots on this page. The design on the right, the top is inspired by the lamp shade as on the previous pages, and would be made out of cracked black leather, sewn onto a bodysuit. The belt is white leather, with weaved silk ribbon in and out of the belt, as seen on a future sketchbook page. The scuba skirt is inspired by the ruffles on the Gareth Pugh skirt, however, ruffles are a huge trend for SS16 and it would be important to reflect up and coming trends in my designs, therefore I added some printed cotton culottes that would emerge from the drop hem skirt, inspired by Gareth Pugh.
The design on the left was
inspired by the cut out collar on the white jacket, I replicated this collar in
a top, but which also has a cut out back, which comes to the sides at a point.
I paired with a pair of cropped white flared trousers, that are high waisted
with a structured waistband. The middle pleated material, will either be
printed, embroidered or a different fabric, hence the experimentation in the
bottom corner. The next design is a cut out collared waist coat, which has a
leather bottom which is cut out in panels, inspired by the stripes on the back
of this page. The dress underneath is
finished with a skort like hem, inspired by the triangle images next to it. It
will then be embroidered with structural lines. The designs on the right are
interpretations of my felt experimentation seen on the manikin. The piece is
very bold and structured, so it has been placed on a simple cotton shift dress.
The wire would then be bended to create a statement.
The whole of this page has
been taken from a University prospectus found at a UCAS event in Manchester.
Although the colours do not stick to my colour palette, the shapes apply to my
geometric concept. The design on the left, the top is inspired by the image in
the top right, with the arm in the purple block. I took this and created it
into a cross over, structured and avant-garde top. The skirt is inspired by the sculpture on the
left hand side of the model. The pastel palette of the mood board inspires the
colour of the garment. The right hand page helped to inspire model poses. I
like this pose, as it makes a statement and is very structured, like the
garment. I have used a simple dress, possibly made out of a printed scuba
material, to help hold on the shapes, inspired by the mood board. The hem will
also have hanging shapes, made out a strong material.
This mood board is to help
inspire my silhouettes, using images of interior, shapes, patterns, sculptures
and existing designs. Once I had created this moodboard, I then picked out
certain aspects and created experimentation. The bottom left experimentation
has been created using leather, white mesh and a sewing machine with black
thread, and has been inspired by the structural prints on this page. The
experimentation on the right is made using printed cotton and black leather,
inspired by structural squares. The illustration on the right, underneath, is a
longline poncho, which flares out to a point at knee length, and comes together
with a knitted bottom. The design is inspired by the image of the woman in the
black outfit, and then sewn into with bold lines and shapes. The design on top
is inspired by the light hanging image, and will drop down the body, using wire
and mesh inbetween.
The illustration
on the right, underneath, the dress is inspired by the black and white vase to
the left, which would be recreated in a similar way. The neck will be high, and
pleats will fall down from it to the sleeves, which reach a point. The bottom
of the skirt will be made out of chiffon which falls out of the bottom of the
skirt. The design on top is inspired by the 3D shape in the centre of the page
and the triangle at the top of the left page. The top is a structured jacket,
made out of leather and wire. The skirt is two joined triangles, embroidered
with thread and materials.
This
page is created using only images from magazines, it features existing
designers, architecture, colour pallets and textures. The design on the left,
underneath is inspired by the black and white magazine square print and the
stripes from the existing garments. The top is a printed material, embrioded
using leather, the frame is made of black tape, with wire in to create a strong
frame. The flowing skirt underneath will be made of white mesh or cotton. The
design on top, the top neck piece will be a choker, made out of wire like
material, which will then join down onto the garment, like the existing designs
on the page.The top half is inspired by the structural shapes at the top of the left hand page, and will be recreated using pin tucks in white cotton. The belt is the experimentation which will be found on the next pages. The A line skirt will be made out of two different materials, the one under the pleats being made out of a printed cotton. The curled tape is inspired by the one on this page, I would recreate this using wire and white tape. Underneath would be a simple pair of pleated and structured culottes. The design on the right hand page is inspired by the lamp shade in the picture, I would imagine this being made out of painted and cracked leather pieces, joined together on a bodysuit.
For the design on top, I have used blended felt tip pen as the skin colour, which I found rather effective. The cross over, buttoned up bodysuit is inspired by the structured collar of Gareth Pugh's jacket design, the bodysuit is firmly tucked in under a pair of white culottes, inspired by the ones on the left hand side, these would be made out of metallic material and white scuba. The body piece, which my customer would remove after making an entrance, is made out of wired black plastic, which hangs off the hips and holds together at the front, inspired by the ones on the right hand page.
. The right hand side of the page shows that I have researched into monochrome trends, a colour palette associated with minimalism. Bold accessories show power and dynamic views when wearing black and white for SS16. These designs are inspired by a range of sketchbook pages. The left design is inspired by Gareth Pugh’s 2015 collections. The jacket is inspired by his own, using silver beading for embroidery into white leather. The body piece is inspired by the top left image on the previous page, with pointed stripes, the body piece can be removed for comfort after my customer has walked the red carpet. Underneath is a metallic fitted skirt, inspired by the boots on this page. The design on the right, the top is inspired by the lamp shade as on the previous pages, and would be made out of cracked black leather, sewn onto a bodysuit. The belt is white leather, with weaved silk ribbon in and out of the belt, as seen on a future sketchbook page. The scuba skirt is inspired by the ruffles on the Gareth Pugh skirt, however, ruffles are a huge trend for SS16 and it would be important to reflect up and coming trends in my designs, therefore I added some printed cotton culottes that would emerge from the drop hem skirt, inspired by Gareth Pugh.
MOODBOARD
I have created my mood boards using Adobe InDesign. At first, I created a mood board using existing collections, however, I realized that I need to base my designs and mood boards on first hand research that I can manipulate into my own ideas, instead using other people's collections. So I have recreated a mood board using interior, geometry, origami, blueprints and architecture, to base my collection on.


Who is my customer?
My
customer is Rihanna, she is a 28 Barbadian Singer and Songwriter who is well
known for her constant chart topping R&B pop songs. She has a net worth of $120 million. She is
famous for her extravagant fashion choices, including those that she has worn
to award shows such as The Grammy’s, The Bafta’s and the Met Gala. She is most
famous for wearing expensive designers, such as Dior and Chanel. However, she
has also worn her own designs from her collaboration with River Island and
Puma. Rihanna is well known for her casual day time looks, for example, pairing
cropped tracksuit bottoms with heels, or tying a casual plaid shirt around her
waist with a crop top and trainers. However, her evening looks are quite the
contrary, as she is known for her glamorous statement designer couture. Usually
being extravagant dresses, skirts or smart suits. Most public appearances, for
example, award shows, she is usually designed specific one-off pieces, by
expensive designers, that are not available to purchase by anyone else. In
her spare time, she is seen in extravagant holiday locations, attending
exclusive parties and working out to maintain her celebrity praised figure.
FMP: GEOMETRIC MINIMALISM
As my all important Final Major Project (FMP) etches closer and closer each day, I find myself pondering over inspiration ideas. I am more than determined to achieve a Distinction and challenge myself in many ways than one, however as I have discovered in my previous projects, I must choose a theme that I am passionately inspired by to maintain a constant flow of ideas throughout my project. Choosing this inspiration has proved to be an impossible task. My current theme of World War One is pushing my talents beyond my comfort zone, as the perfectionist within me strongly disagrees with the torn and burnt fabric in my sketchbook. After recently visiting Manchester on Monday for a convention, I have been massively inspired by architecture. Unfortunately, my first year self, already chose that theme and re-using it would prove to be difficult as I would have to take an entirely different approach, and wouldn't be able to recreate previous sketchbook ideas and designs. Over the past few days, I have been thinking long and hard about alternatives to architecture. I thought about everything that appeals to me and creates a flow of ideas within my head. I am a perfectionist. Monochrome. Straight lines and squares are a recurring theme within my work. I finally concluded with a theme of Geometric Minimalism, giving me the chance to look at both a minimalism colour palette, and geometry to cover both architecture and origami. Today I took to Tumblr, Pinterest and Instagram for visuals, and here are my top picks from today.
